Music Review: Laura Marling, “Semper Femina”

Music Review: Laura Marling, “Semper Femina”

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In her sixth studio album, British Folk singer, Laura Marling, delves into the complexities of femininity and female relationships. The album title, Semper Femina, a term borrowed from Latin, translates to “always a woman.” The phrase, popularized by a misogynistic line in Virgil’s “The Aeneid” – “A woman is an ever fickle and changeable thing,” is reclaimed and used as a tool of empowerment by Marling on the track, “Nouel.” Marling’s soft demeanor demands attention from the listener: from the the jagged baseline of the opener, “Soothing,” to the closing track’s somber refrain (“once it’s gone, it’s gone,”) Marling’s latest LP is a quiet, commanding force to be reckoned with.

 

 

Music Review: Dirty Projectors, “Dirty Projectors”

Music Review: Dirty Projectors, “Dirty Projectors”

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Dirty Projectors frontman, Dave Longstreth, has suffered through a multitude of lineup changes throughout his band’s 15 year stretch, but no shake-up has been more devastating than Amber Coffman’s departure. With this split from his girlfriend and final bandmate, Longstreth is solo once more. Coffman’s vocals were a staple of the band’s unique, Brooklynite, indie-pop style, and on Longstreth’s latest album, Dirty Projectors, her absence haunts every lyric. Longstreth is mournful – painting, in broad strokes, images of love, loss, and loneliness. Sonically, the album spins from one bold arrangement to the next. In all his isolation, Longstreth has made time for collaboration, the standout being “Cool Your Heart,” a whirling, calypso pop jam featuring DΔWN and co-written by Solange.

 

Music Review: Ryan Adams, “Prisoner”

Music Review: Ryan Adams, “Prisoner”

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Prolific singer/songwriter, Ryan Adams, is back for his latest studio album, Prisoner, an anthology of break up songs inspired by the musician’s split from wife of six years, Mandy Moore. Staying true to his style, Adams’ Prisoner is a blend of tragic lyrics and buoyant arrangements. The opening track, “Do You Still Love Me?” starts with a bang, flourishing under Adams’ soft-rock aesthetic. It’s followed by the mellow sorrow of the album’s title track. The “Break up Album” is not a new category, certainly not for Adams who has produced his own fair share of music in the genre, but in Prisoner, earnest lyricism and playful sonance breathes life into bygone love.

Music Review: Allison Crutchfield, “Tourist in This Town”

Music Review: Allison Crutchfield, “Tourist in This Town”

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Tourist In This Town is the debut, full-length album by Alabama native Allison Crutchfield. Crutchfield is not new to the music industry, having formed notable bands since her teenage years (P.S. Eliot and Bad Banana) with twin sister, Katie of Waxahatchee. On Tourist, Crutchfield ditches compromising with bandmates and focuses on the self. Accompanying the 80’s inspired rippling synths that sail through the album are Crutchfield’s easy vocals and anxiety-driven lyrics of love, heartbreak, loneliness, and change. Standouts on the album include opener, “Broad Daylight,” “Charlie,” and “Expatriate,” with open, honest lyrics: “I love myself, or I’m figuring out how.”

Music Review: Sampha Sisay, “Process”

Music Review: Sampha Sisay, “Process”

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Very rarely is a debut album as powerful as “Process.” For the soft-spoken, English born Sampha Sisay, who was introduced to the piano at the age of three, music creates for him a means of self-expression. For Sampha, whose wavering voice commands sober sovereignty in “(No One Knows Me) Like the Piano” a masterfully stripped down ballad about finding one’s voice and coping with grief through the comfort of music, tragedy strikes at every turn. Both of his parents were taken by cancer, and their absence fills the lyrics and quiet spaces of the album. Sampha too, was faced with his own mortality when he suffered a cancer scare not too long ago, discovering a lump in his throat, which he chronicles in “Plastic 100°C.” Previously, Sampha had lent his talent to big name artists, like Drake, Kanye, Solange and Frank Ocean, but with his debut album, Sampha begins anew. The album’s title can be seen as shorthand for “the grieving process,” or can refer to Sampha’s ongoing journey of self discovery. Either way, we’ll be right there with him.