Music Review: Fleet Foxes, “Crack-Up”

Music Review: Fleet Foxes, “Crack-Up”

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The last time Fleet Foxes released new music, it was 2011 and “planking” was a thing. Since then, a lot has changed: the US has gone through not one, but two divisive Presidential elections; the band’s drummer, Josh Tillman, left to start a snarky, yet successful solo career as “Father John Misty;” and it’s lead singer, Robin Pecknold, moved to New York City to complete an undergraduate degree at Columbia University. Fans have been anticipating new music since 2013, when the group uploaded a teaser pic on their Facebook page, which has since been deleted. It’s almost hard to believe that we’ve been waiting six years for a third Fleet Foxes album – almost. As quickly as their music blew up across college campuses (and even more vigorously in Europe) they were gone – like footprints covered by snow. Winter has thawed to reveal “Crack-Up,” an astonishing work of art: complex, subtle, devastating, introspective, and celebratory all at once. The sound is fresh, yet distinctly Fleet Foxes – mixing folk with New Age and Eastern influences. “Crack-Up” requires just as much patience to listen to as it – undoubtedly – needed to create. But once you wade in, the music breaks over you like a wave, and you’re swept into a new, but familiar space. The album plays host to many memorable moments, including the 9-minute “Third of May / Odaigahara,” which takes a sudden, sorrowful turn roughly 3 minutes in; “Kept Woman,” and “Fool’s Errand,” just to name a few. “Crack-Up” is a classic in the making, and a welcome addition to Fleet Foxes’ small, yet stunning oeuvre. Fleet Foxes is now on tour! Check out their tour schedule here: http://fleetfoxes.co/tour

Music Review: Father John Misty, “Pure Comedy”

Music Review: Father John Misty, “Pure Comedy”

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On April 7, singer-songwriter and former drummer for “Fleet Foxes,” Josh Tillman, who began singing as his Father John Misty persona in 2012, released his third studio album, “Pure Comedy,” a sprawling, 75-minute exploration of capitalism, pop culture, technology, humanity, politics, cynicism, revolution, and everything in between. “Pure Comedy” is both beautiful and tortuous, exemplified by the album’s mainstay, “Leaving LA,” a 13-minute, autobiographical narrative that, at times, is both haughty and humble. Today’s political climate (and climate change) provides the cynical Misty with a generous amount of source material, so much so, that much of the beautiful orchestral arrangement of the album gets swallowed by the lyrics, or simply feels out of place. That’s not to say Misty’s melodies fall flat entirely, but the most successful songs on the album are the few where the songwriter’s poeticism engages with the swells of his supporting orchestra, such as on the album’s self-titled opener, “Pure Comedy,” the utopian “Things It Would Have Been Helpful to Know Before the Revolution,” and the sarcastic “Ballad of the Dying Man.” Misty’s doomsday aesthetic, although challenging to the listener, resonates auspiciously in 2017. As Pitchfork Staff writer, Jazz Monroe wrote in his review of the album: “Josh Tillman…excels at tormenting those unlucky souls who enjoy his music.”