Music Review: Calvin Harris, “Funk Wav Bounces Vol. 1”

Music Review: Calvin Harris, “Funk Wav Bounces Vol. 1”

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It’s hard to believe that Calvin Harris titled his debut album “I Created Disco,” considering the Scottish DJ was born a full decade after the genre’s demise. But that’s exactly what he did and it turned out well for him: he’s now the highest-paid DJ in the world. Since his debut in 2007, Harris has turned out hit after hit, collaborating with big name artists like Rihanna, Ne-Yo, Florence Welch, Rita Ora, and Ellie Goulding, just to name a few. For a DJ who headlined Coachella last year; who has the most successful Las Vegas residency today, and more number one hit singles than you can name, his latest album, “Funk Wav Bounces Vol. 1” really blows. Besides the album’s lead single “Slide” featuring Frank Ocean and Migos, which was released back in February and became (arguably) the anthem of Spring Break 2017, there’s not a single track on the album of note. Even a deluge of artists like Ariana Grande, Pharrell Williams, Future, Khalid, Travis Scott, Snoop Dogg, John Legend, Nicki Minaj and Katy Perry can’t mask the phony “funk” mixes and lame, tropical-themed lyrics that would’ve gone over quite well with the Fyre Festival crowd. But the absolute worst thing about the album lies in it’s title: with “Funk Wav Bounces Vol. 1,” Harris is undeniably promising another installment of overproduced, over-saturated, star-studded garbage. http://calvinharris.com/

Throwback Thursday: Christina Aguilera Releases Her Debut Album

Throwback Thursday: Christina Aguilera Releases Her Debut Album

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On this day in 1999, “Pop Princess” Christina Aguilera released her self-titled debut album. Prior to the album’s release, Aguilera made a name for herself as a cast member on the television series “The Mickey Mouse Club” alongside other budding artists like Britney Spears, Justin Timberlake, Ryan Gosling and Keri Russell. In 1998, Aguilera was chosen by Disney to be the recording artist for “Reflection,” the theme song for their new animated film, “Mulan.” Shortly after recording “Reflection,” Aguilera signed with RCA Records and began working on her debut album, which peaked at Number 1 on Billboard 200 and sold over 17 million copies worldwide. The album’s lead single, “Genie in a Bottle,” became the top-selling debut single of 1999. At the Grammy Awards in February 2000, Aguilera won “Best New Artist.” http://www.christinaaguilera.com/

Apple kills the iPod Nano and Shuffle. So, what’s next?

Apple kills the iPod Nano and Shuffle. So, what’s next?

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With the announcement in late July that Apple is officially retiring the iPod Nano and the iPod Shuffle (the last of the pre iPhone iPods) we can safely say that “video killed the radio star” or rather, the rise of online/app-based streaming services like Spotify, Pandora, and Apple Music, have essentially wiped out the need for music file downloading on portable devices (and the products that were designed for that sole purpose.) When the iPod debuted in 2001, Steve Jobs promised 1,000 songs in your pocket. Today, through streaming, you can play almost any song in existence, instantaneously and fairly cheaply, without bogging down your smartphone or tablet’s storage. Thus, it’s not surprising that Apple is finally saying goodbye to the standalone MP3 player (although it does pierce a knife right into the heart of my childhood.)

 

With online/app-based streaming swiftly becoming the norm, home A/V and speaker manufacturers are adapting as well by offering products with built-in streaming services like Spotify Connect and Chromecast built-in, allowing music lovers to stream their music wirelessly from their phone or tablet to their speakers. But this shift comes at a price because they are exposing major flaws, not just in their products, but in the wireless protocols their products are built on.

 

Conventional Wi-Fi runs on TCP (Transmission Control Protocol) which was designed in the 1960’s for transferring files down wired Ethernet lines, not streaming real-time, wireless, audio. Unfortunately, most products out today that boast wireless streaming capabilities still use these outdated protocols and therefore, can’t properly support wireless streaming.

 

This has posed a huge problem for manufacturers who want to stay on trend, but are unwilling to invest in new, wireless infrastructures. As we’ve seen with Apple’s retirement of standalone MP3 players, products that support app-based streaming are the future. And yet, manufacturers continue to release products that are fundamentally unable to support the future of wireless home entertainment.

 

So what can be done? Well, Blackfire Research has an answer for that.

 

It’s called the Blackfire Realtime Entertainment Distribution (RED) framework, and it’s the industry’s only wireless and entertainment-centric infrastructure software framework built from the ground up to both overcome the limitations of Wi-Fi and meet the needs of wireless, entertainment-related apps and products. Top global audio brands, such as Harman Kardon, Onkyo, Pioneer, and Integra have already licensed the Blackfire RED framework, and are currently shipping products that leverage its capabilities: reliable multi-room, multi-channel, low latency, wireless audio and video over Wi-Fi. With the Blackfire RED framework in products such as home A/V systems, wireless speakers, smartphones, and TVs, home owners can finally become Smart Home owners – enjoying all of their digital streaming services wirelessly, synchronously and seamlessly throughout the home.

With the original iPod, you could carry 1,000 songs in your pocket. Today, the Spotify song collection alone boasts over 30 million. We’ve been adding more and more music into our pockets, but after all this time, we’re still trying to figure out how best to get it out.

Music Review: Haim, “Something to Tell You”

Music Review: Haim, “Something to Tell You”

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Southern California sisters, Este, Danielle and Alana Haim who make up the soft rock group, Haim, are back with their sophomore album, “Something to Tell You.” Haim, the breakout band of 2013, who charmed listeners with their laidback, quirky, SoCal style, caught the eye – or rather – ears, of The Godmother of Rock and Roll, Stevie Nicks, as well as pop music mogul, Taylor Swift (who they opened for on select stops of her mega-successful 1989 World Tour). The sisters grew up playing a diverse collection of instruments, and their musical proficiency is always on full display (check out a fantastic, live version of “Right Now” below to see how seamlessly they can switch instruments in a single song). Haim sounds unlike any other band out there, and “Something to Tell You” is a solid addition to the band’s growing opus. Highlights include playful opener “Want You Back;” the soulful “Nothing’s Wrong;” the bouncy “Little of Your Love;” and the stark, powerful track “Right Now.” In their short time in the spotlight, Haim has gathered somewhat of a cult following, and fans of their first album, “Days Are Gone,” will not be disappointed in the follow-up (or the return of Este’s beloved “bass face.”) Check out Haim’s website here: http://haimtheband.com/

 

Throwback Thursday: Woodstock, Day 3

Throwback Thursday: Woodstock, Day 3

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Brought to you by Blackfire Research….On this day in 1969, the Woodstock Music and Art Fair in upstate New York was scheduled to come to a close. However, due to delays caused by severe weather, the musical acts were forced to halt. (Images of Free Love activists dancing, running, tumbling and sliding in muddy fields due to the heavy rain has become synonymous with the festival.) Jimi Hendrix, who was supposed to close the festival on Sunday night, didn’t begin his set until the following morning at 8:30am. The audience of around 400,000 at the height of the festival dwindled to about only 30,000 by the time Hendrix took the stage Monday. In total, 32 acts performed throughout the weekend, including The Grateful Dead, Creedence Clearwater Revival, Janis Joplin, The Who and Jefferson Airplane. To this day, the legacy of Woodstock lives on, widely viewed as a defining moment for popular music, and the culminating event that defined the counterculture generation.