On this day in 1985, supergroup “USA for Africa” hit Number 1 on the US singles chart with their charity song, “We Are the World.” Written by Michael Jackson and Lionel Richie (who also lent their vocals to the track), and produced by Quincy Jones, the single was arranged to raise money for African famine relief efforts. The recording of “We Are the World” brought together some of the most famous recording artists of the time, including: Stevie Wonder, Diana Ross, Bob Dylan, Cyndi Lauper, Paul Simon, Bruce Springsteen, and Ray Charles. Sales of the benefit single – which exceeded over 20 million copies – combined with merchandise sales, raised over $63 million for the famine relief fund, which corresponds to $138 million today. “We Are the World” enjoyed critical success as well, receiving three Grammy Awards, including one for “Song of the Year.” A remake of the original song, “We Are the World 25 for Haiti,” was produced and recorded in 2010 after a 7.0 magnitude earthquake hit Haiti, causing massive devastation for the country. Watch the original and the remake below.
For us at Blackfire Research, April is shaping up to be a music lover’s dream. From newly-minted breakout stars to the return of 60’s psychedelic rock, the San Francisco Bay Area is playing host to a number of highly anticipated concerts this month.
On Saturday, April 15, English indie pop group, The xx, comes to the Bill Graham Civic Auditorium in downtown San Francisco as part of their North American tour promoting their latest album, “I See You.” Accompanying them is breakout artist, Sampha, who just recently released his debut album, “Process” to rave reviews and stunning critical acclaim. For tickets, click here.
Radiohead returns to The Greek Theatre in Berkeley for a two night, sold out engagement on April 17 & 18. The beautiful outdoor amphitheater, located at the start of the Berkeley Foothills, adjacent to The University of California campus, is the perfect venue to reconnect with everyone’s favorite 90’s rock band.
Also making an appearance in Berkeley this month: The Zombies. Journey back in time as the iconic 60’s psychedelic rock band performs at The UC Theatre on April 25 as part of the First Anniversary Show celebrating the remodeling and reopening of this historic venue. Tickets are on sale now.
Winner of Best Rap Album at the 2017 Grammy Awards, Chicago native, Chance the Rapper, takes his critically acclaimed “Coloring Book,” on the road, performing to an already sold out crowd at the Oracle Arena in Oakland on April 26. In addition to his massively successful solo career, Chance lends his talents on other influential albums, such as Kanye West’s “The Life of Pablo.” Recently, Chance made headlines when he donated $1 Million to the Chicago Public School system, garnering high praise from another well-known CPS alum, Michelle Obama, who took to Twitter to thank Chance for his generosity, branding him as a leading “example of the power of arts education.”
R&B chart topper, The Weeknd, will be making a stop at San Jose’s SAP Center on Friday, April 28 for part of his first World Tour, Starboy: Legend of the Fall. The award winner’s sophomore album, “Starboy,” was released last November and chronicles the aftermath of the artist’s newfound fame. Tickets are on sale now.
British folk singer, Laura Marling, who just released her sixth studio album, “Semper Femina,” to rave reviews, will be gracing The Fillmore stage in San Francisco on April 30. Marling’s placid stage demeanor, coupled with the richly poetic language of her lyrics, accentuates the hypnotic effect she holds over an audience. Experience the magic, you won’t regret it.
On that same night, iconic American folk singer and two-time Rock and Roll Hall of Famer, David Crosby, will be performing at the Great American Music Hall in San Francisco’s Tenderloin neighborhood. In addition to his classic hits, Crosby will be performing songs from his latest solo album, “Croz,” as well as pieces from an upcoming album titled “Sky Trails.” For more information, click here.
What concerts or events are you most excited for this April? Let us know in the comments section!
Tourist In This Town is the debut, full-length album by Alabama native Allison Crutchfield. Crutchfield is not new to the music industry, having formed notable bands since her teenage years (P.S. Eliot and Bad Banana) with twin sister, Katie of Waxahatchee. On Tourist, Crutchfield ditches compromising with bandmates and focuses on the self. Accompanying the 80’s inspired rippling synths that sail through the album are Crutchfield’s easy vocals and anxiety-driven lyrics of love, heartbreak, loneliness, and change. Standouts on the album include opener, “Broad Daylight,” “Charlie,” and “Expatriate,” with open, honest lyrics: “I love myself, or I’m figuring out how.”
Back in November, we took an in-depth look at Traffic Independent Synchronization (TIS), a Blackfire Research technology which allows precise syncing of your wireless speakers. Today, we’re going to look at another Blackfire technology: Real-Time Packet Management (RPM) for streaming music to your speakers without excessive buffering.
We’ve all been there: you finally find that perfect song only to click on it and have the “spinning pinwheel of death” appear. Or worse still, trying to watch TV with wireless speakers that play several seconds out of sync – like a bad art-house dubbed foreign movie. Those are the effects of buffering.
Some wireless audio systems are so susceptible to signal interference that they compensate by pre-loading (or buffering) the signal data before they start to playback. Without buffering on these systems you’d hear sporadic gaps in the audio (called drop outs) due to the lost audio data. So how much data is needed to buffer in order to prevent gaps or drop-outs?
Today’s most popular wireless speakers use conventional WiFi protocols which have to queue the data. When you select a playlist from your smartphone or tablet, it takes several seconds for the first song to fill the buffer before it begins to play. While the first song plays, the system is already buffering the next song to minimize gaps. This is fine until, of course, you change the queue (say, by hitting “play next”) before it can re-buffer. In which case, hello spinning pinwheel. Additionally, because of the delayed playback, you won’t be able to use these popular wireless speakers as a soundbar with your TV without a wire (i.e. an optical cable connection).
Real-Time Packet Management (RPM) is the Blackfire solution to buffering: RPM uses a special multipoint, real-time feedback signal from each speaker to monitor the effects of noise on the audio data stream. This allows a much shorter queue and much less buffering.
Hear the difference for yourself! RPM is embedded into all Blackfire enabled products, including The Harman/Kardon Omni Series and Pioneer MRX Series. Next week, we’ll look at Dynamic Stream Balancing (DSB) and how it works with TIS and RPM to create FCP: Firecast Protocol – Blackfire’s solution to conventional wifi protocols.
Since their debut in 1983, The Flaming Lips have been a constant staple in the world of music. With a career spanning over 30 years, releasing new albums every few years, and having their hands in a multitude of side projects, collaborations with other artists, and performing as headliners in summer music festivals, The Flaming Lips have never not been relevant. Now, with their fourteenth studio album, Oczy Mlody, The Flaming Lips settle into a newer ambient style, one they experimented with on their last studio album, The Terror. “Oczy Mlody” is a phrase borrowed from Polish and translates to “eyes of the young.” The album features a psychedelic sound married with a childlike sense of wonder, with songs like “There Should Be Unicorns” and “One Night While Hunting For Faeries and Witches and Wizards to Kill. (Think: Lisa Frank meets Alice in Wonderland, aesthetically.) Featured Music Friday is brought to you by Blackfire Research.
